LISTEN
CREDITS
LYRICS
COVER
ORDER



XZNN
O L O

XZNN xznn i (3min07sec)
XZNN BIG RAIN TREE (6min07sec)
XZNN THE BEAUTY OF THE LIVING COMPANIONS (4min42sec)
XZNN HYMALAYAN GUITARRA (24min38sec)
XZNN BREATHE AFRIKA v2 (6min27sec)
XZNN I LOVE GOD v03 (5min11sec)
XZNN LYRYX (4min53sec)
XZNN xznn i occ (6min13sec)
total time = 61min18sec

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

COVER

To save or print this 300 dpi image which stands for the cd booklet cover,
whether for promotional or personal use,
simply pass your mouse over the image (without clicking on it)
and select one of the four options appearing over the top left corner of the image

Since at least the summer of 1991, I have dreamt of offering a bookletless cd in a round jewel box,
only the music, no bull & less trees cut for that,
and that is why I do present the contents of what would normally appear in a booklet only in this website ...




 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

CREDITS

XZNN OLO is dedicated with Love to my Eternal Sister Araz
for the way she
cares, the way she loves, the way she heals and the way she is ...


Carl William Burton Poirier plays Gibson Acoustic Guitar and WoHaKaTeMaSy Tree Roots,
and, sings through a Shure SM57 microphone

Composed and Arranged by KRRL, NOOS & ESSE
Performed by Carl William Burton Poirier & ESSE

Lyrics on BIG HYMALAYAN RAIN TREE and I LOVE GOD by Carl William Burton Poirier
Havona Langwadje on BREATHE AFRIKA and elsewhere by Kaom

Engineered by NOOS
Produced & mastered by AL with ESSE & NOOS & KRRL

ParmaDimensional Holografyk Dream Conceived & Written through Carl William Burton Poirier by MKNEKS A OTO XTLJX YE

Recorded in Montréal, Canada [12-2003 and 01-2004] and Santa Barbara, California [09-2000]
Edited at University Street SonoraSunSnakeSoundz HomeStudio, Montréal [04-2004]

THE PRECARIOUS RECORDING CONDITIONS AND SOUND EQUIPMENT USED
THROUGHTOUT THE CREATION OF XZNN OLO
ONLY FAINTLY VEIL THE AMAZING AQWARYAN WAV
ESSE YIZ NOW PROGRESSIVELY UNFOLDING
IN ACCORDANCE WITH OUR FATHER’S WILL
& DIVINE PLAN

Special Thanks to GOD * ARAZ * SPEPEP * THE SUPREME BEING * ESPRIT INFINI *
Digital Sound Solutions by Vincent 'Vincenti' Cardinal for computer softwares and geekfull installations *
Saithong for audio equipment sponsoring *
my mom for life and my dad for faith


Electronic Teckno Plate called Big Rain Tree in dual appearance within BIG HYMALAYAN RAIN TREE
as well as minimal background residual noise loop and later WaveLab's telepony signals
created in 2000 at the Offworld Technologies Multimedia Arts & Sciences Transdimentional Center (OWTMASTC)
in Santa Barbara, California at my brother's SPEPEP experimental & experiential camp on Gillespy street

Art Design by Sonorakaligrafykllz


All Songs/Concepts/Ideas/Ideals
copyright
© Carl William Burton Poirier 2006 / SonoraSoundz / administered by Socan

 

 

 

 

 

 

 

 

 

 

 

 

LYRICS

The main body of the XZNN lyrics
is surely inspirational
and,
I believe,
is preminiscent of the musical languages of Havona.

It is intentional language
and it is wholy unconscious in nature.

To further explore the mindal meanings
as well as to better comprehend
the Intentional Havona Language,
at its spiritual value level,
use the link just below:




All lyrics
that do pertain to
the Havona-Intentional Language
are in
nonbold:
they are nearly,
and really,
always loosely interpreted
as well as approximatively transcribed
since they are not a direct derivation
of any particular present human linguistic.


































XZNN xznn i (3min07sec)

In xznn i, one may simply allow temporal sufferings to disolve. And the chineese Iron Balls
do metaground us through presencefulness ...


Gohodest
Gaiha Ltis
Gaiha Ahelest
Gonho Nest
Gainhaa Shao Lest

God
Goddest









XZNN BIG RAIN TREE (6min07sec)

The first ynstanciation of BHRT has been done by Araz who sang on it something very deep and alarming
and, at the same time, she showed me the way to sing on top of the Big Rain Tree electronic Teckno Plate.
So, a couple of days after, I recorded an exorcising prayer for her which turned into this one take song.


It is my will that Your infinite will be eternally done Oh Father
It is easy to see
Beauty (is) forever growing in Love, in, for ...









XZNN THE BEAUTY OF THE LIVING COMPANIONS (4min42sec)

This is what came out right after this most special late evening
savoured at my eclectic freinds' place
in the very heart of Old Montreal:


I was just back, seeing so many beautiful freinds again,
and I saw in their eyes, joy, faith, in all of us,
and I enjoyed,
enjoyed to see the rain forests
growing well back
all over ancient Mayan ruins,
for even Nature,
the green layer all around the Earth, living,
will always overthrow
any beautiful halls of waste.

But we all know by now
that constructions made out of loving intentionals
will always include
the beauty
of the Living Companion Rays
that accompany us on our journey,
on, with, for, by,
the Earth,
Gaya.










































































XZNN HYMALAYAN GUITARRA (24min38sec)

True freinds do love each other
in
forever
mysterious
ways...


Hayaleya deshat alest
Araz

Ohmaga taeiho leshanta telei gost
Eindas ahara

Omhaelaest en el eiast
Tu comprends-tu?
Gom- jhjhjjhhjhj
Gomhe taye sham
Gomhen taye sham aolest
Gahehehe miytan aha shaho
Gohi ahate y shantan deheme
Dhowanmay lahihihi les

Omhaene yashantana kantalete olest
Kountene yala loeles
Gowmana le shahasana
Shanaka lahiele telips
Gaha hahe ye ya hehe ya hehe
fjlskdjfklkdjfkdlkf

Omha de o les
God
God
You hear me

You hear me
I pray for Araz

That she is safe
In your arms
For she needs you Father
She needs to find yer way back towards You

Araz you are safe
















XZNN BREATHE AFRIKA v2 (6min27sec)

Some of the living situations in Africa are pretty obscure
and that is where the WoHaKaTeMaSy Tree Roots
have been originating, I suppose,
a long long time ago.

I really dig Africa
and pray for
our eventual
integral respect
regarding their people
and
their chosen customs.

[ The Havonian-Intentional Language, here, is wholly intuitively guided
and should be free from any semantical attempt at rationalizing it. ]









XZNN I LOVE GOD v03 (5min11sec)

Well,
what can I else say,
I definitely am in love with God
as well as with many,
many of his children,
high and low.


Gaihonest
Gommeha Na-a-ast

Gohio Leehaness

mm Eilest
ww Lianess
Masha
Gayeye Dayesha(n)
I Love GOD







































XZNN LYRYX (4min53sec)

... these are the notes I then heard ...









XZNN xznn i occ (6min13sec)

Once, Araz was laying down on her bed
as I offered her a listening
of one of the last edits of Xznn OLO.
It developed that she received it as a healing.
And so I decided to inflict the final encompassment of the megaframing of Xznn OLO
so that it would conclude similarily to its peaceful introduction thus creating a second reflection,
the first one being the near repetition of the Techno Plate Big Rain Tree.

Araz does always bring magic,
even just by her very presence
or by the way she listen to.


Gohodest
Gaiha Ltis
Gaiha Ahelest
Gonho Nest
Gainhaa Shao Lest

God

Goddest


Gohodest
Gaiha Ltis
Gaiha Ahelest
Gonho Nest
Gainhaa Shao Lest

God

Goddest

 

 

 

 

X Z N N
OPENING OV SUPERKONSHEOUSNESS
SAKRED GEOMETRYKLL DREAMZ
WEB OV EXYSTANSS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

To enjoy XZNN OLO as it has been created,
and as it is usually performed live,
listen to it at near levels of maximum audio equipment capacity
[hifi or lowfi, whatever you got at the moment]
and just experience the further Spirit vital force descent
coupled with the inevitable human striveful struggleness allowing such goals
to transpire in the domains of our material & experiential existences.


DIVINE TRUTH & BEAUTY [42,8] to [43,5]



XZNN SuperSite
CO-RELATIONS WITH
THE URANTIA BOOK
THE CELESTIAL MUSICIANS [500,6]

 

 

 

 

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XZNN2007 © Carl William Burton Poirier

 

 

 

 

 

 

 

 

© CARL WILLIAM BURTON POIRIER / SONORASOUNDZ / SOCAN 2007

 

XZNN2008
© Carl William Burton Poirier