XZN LINGUISTICS
LINGUISTIC PHENOMENOLOGIES
TRANSTHROUGH HOLOTROPIC SFEERAS

In Xznn semantics, a somewhat spontaneous approach to writing
eventually appeared after years of evolutive progression
towards the development
of a personally characterized body
of linguistical theoretics
directly aimed at the emergence of different language capacities.

Xznnolinguistical Theoretics,
producive of the Kozmyk Poemz,
as well as directive in any of the genuine Xzn Linguistic elements,
are essentially,
and ideally,
expressed through and as symbolic language
-multidimensional visual linguistic contructs-
in accordance with very definitional axiomatic quantificationalizables,
which are thus better attributively qualified:

XZNNOLINGUISTYKLL
OMNI RELIGIOUS
META SPIRITUALITYZ


But in Xznn, everything authentic to its core essence is real:
nothing of it, frankly,
can be isolatively wholly meaningful.
Every part must be corelated to every other parts
in order to bear proper understandful recognition thereof.

Therefor,
such an axiom
is truly equivalent,
although definitively not identical,
to the Xznn word-symbol WAVZ,
which is itself
essentially related
to the highly holistic encompasser
of such a sonic conceptuality
as is the SunSnakeSoundz.

Xenolinguistics,
in the understanding of my own experience, Diana,
is further defined as the search for,
creation in our Cosmic realms,
discovery from the Havonian realms,
and study of cosmic native,
as well as cosmic and havonian alien languages.
Cosmic, the time space creations.
Havonian, the existential creations.

References
Xenolinguistics 1: Aspects Of Alien Art
by Diana Reed Slattery
in TOWARDS 2012
published by Jeremy P. Tarcher / Penguin Group 2008

and

A New Understanding Of The Psyche
by Stanislav Grof
in TOWARDS 2012
published by Jeremy P. Tarcher / Penguin Group 2008



 

 

 

 

 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

XZNN ACRONYMS REFERENCE
UTILIZED THROUGHOUT THE SUPERSITE
AS WELL AS THROUGH THE ENTIRE
THEORETICAL & TECHNICAL
XHP BODY OF WORK
__________
wba = Waava Being Absolute
wbu = Waava Being Ultimate
aw = Architectural World
pME = preManifestational Experimentals
pstME = postManifestational Experientials
o = original, untouched, WAAVA BEING performance/version
rt = Real Time
nt = Normalized and Trimmed[header and tail]
au = Already Utilized (in some Architectural Worldz or in any significant area of the XHP: replication in presentation tend to be avoided as much as possible, so, such files may be utilized as basic material for higher level treatmental manouvers)
pau = Partly Already Utilized (in some Architectural Worldz or in any significant area of the XHP: may still therefor be utilized/integrated wholly or in its unalready presented portion)
flmp = Further Live Multi Processed [typically, live through Wavelab]

XZNN Secret ACRONYMS
UTILIZED FOR THE ENTIRE
THEORETICAL & TECHNICAL
XHP BODY OF WORK
__________
ertwe = Mhfb tyr i jgjuy
5323 = Jyu gf rtybh jftuim

 

 

 

 

 

 

 

 

 

 

XZNN AUDIO SOUNDSCAPES


the yellow page

XZNN AUDIO ARCHITECTURAL WORLDZ

XZNN AUDIO UNYVERSEZ

LYVE

BOOKING

Credits & Lyrix

TOURS
VIDEO
NEWS

PROMO
P A C K

XZNN © Carl William Burton Poirier

 

 

XZNN1965
TANK THINKING (Penser l'univers ...) © CARL WILLIAM BURTON POIRIER since Birth
COMPOSITIONS © CARL WILLIAM BURTON POIRIER since 1969
RECORDINGS CARL WILLIAM BURTON POIRIER since 1979 / SONORASOUNDZ
NATURE PHYLÉTIQUE © CARL WILLIAM BURTON POIRIER since 1980
HYSTORYLLZ © CARL WILLIAM BURTON POIRIER since 1981
MUSIC © CARL WILLIAM BURTON POIRIER since 1986 / administered by SOCAN
GRAFIX © CARL WILLIAM BURTON POIRIER since 1987 / SONORAKALIGRAFYKLLZ
RTCIM [Real Time Creation In Music] © CARL WILLIAM BURTON POIRIER since 1989
SUPERSITE © CARL WILLIAM BURTON POIRIER since 1998

XZNN © Carl William Burton Poirier